Electronic Artist – Schlammpeitziger http://schlammpeitziger.com/ Sat, 18 Sep 2021 10:11:27 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://schlammpeitziger.com/wp-content/uploads/2021/05/default.png Electronic Artist – Schlammpeitziger http://schlammpeitziger.com/ 32 32 Kazakhstan’s debut Grammy winner’s new tracks don’t disappoint https://schlammpeitziger.com/kazakhstans-debut-grammy-winners-new-tracks-dont-disappoint/ https://schlammpeitziger.com/kazakhstans-debut-grammy-winners-new-tracks-dont-disappoint/#respond Fri, 17 Sep 2021 23:00:19 +0000 https://schlammpeitziger.com/kazakhstans-debut-grammy-winners-new-tracks-dont-disappoint/ In March of this year, Kazakhstan’s most popular DJ and sound engineer Imanbek made history when he became the first person from Central Asia to receive a Grammy. How has the career of the young musician evolved since then? Imanbek Zeikenov, known in the recording industry simply as Imanbek, is a former train station worker […]]]>

In March of this year, Kazakhstan’s most popular DJ and sound engineer Imanbek made history when he became the first person from Central Asia to receive a Grammy. How has the career of the young musician evolved since then?

Imanbek Zeikenov, known in the recording industry simply as Imanbek, is a former train station worker in the small town of Aksu in northern Kazakhstan, who in March this year became the first person in her home country to win a Grammy Award.

The 20-year-old’s homemade remix of Saint Jhn’s song Roses won him a Grammy for Best Remixed Recording, making him not only the first person from Kazakhstan to receive the prestigious award, but also the first from a post-Soviet country to receive a Grammy for one of the “no traditional ”.

Imanbek says he made the Grammy-winning remix in just over two hours on his home computer in 2019. The track now has over 273 million views on YouTube alone and over billion streams on various platforms, exceeding significantly the popularity of Saint Jhn’s. original song.

Shortly after posting his work on social media, the track went viral in Central Asia, Russia, and elsewhere in the post-Soviet space. From there, the high-pitched, accelerated version of the song found its way to TikTok, where it spread around the world.

In the summer of 2019, Imanbek signed with Russian label Effective Records who settled the rights for him to use the already popular song.

Although Imanbek attempted to contact Saint Jhn via Instagram to ask if he could do his own take on the song, perhaps not surprisingly, the American artist ignored a teenager’s post. Kazakh at random.

Imanbek’s remix quickly became one of the most-listened to electronic tracks of the year, ranking No. 1 for 23 weeks in Billboard’s Dance / Electronic Songs category. In May, the remix won Billboard’s Top Dance / Electronic Song award, which is determined based on sales, online streams, radio broadcast, and social media engagement.

As a result, Kazakh today has much less difficulty in coming into contact with traditional celebrities.

In February, he worked on the sound arrangement of the song Fat by Anglo-Kosovar singer Rita Ora and American rapper Gunna, alongside famous French DJ David Guetta.

While Imanbek has certainly been able to grab the attention of several Western celebrities, the sound engineer is still based in Kazakhstan and works with local musicians, video producers and actors to produce a steady stream of content that goes from hundreds of thousands to millions of views. and streams on various platforms.

One of these projects is Feel good, which was recorded and produced in the musician’s home country, as was his video, in which Imanbek can be seen driving a red car and blasting his electronic beats on the streets of a Kazakh city.

Although Imanbek’s career took off after the start of the Covid-19 pandemic, most of his tracks are quick and perfect for the club.

Despite this, the sound engineer, who according to Kazakh bloggers still lives for the most part in Aksu, a city of less than 70,000 inhabitants, affirms that “there is not so much clubbing culture in this district”, while suggesting that he personally doesn’t like going out clubbing either.

“My knowledge comes mainly from YouTube tutorials. I grew up listening to Martin Garrix, David Guetta, Marshmello, Dillon Francis, which I all learned on the Internet, ”explains Imanbek.

At the end of August, he also gained experience as a live DJ when he performed at Noa Beach Club on the island of Pag in Croatia.

Imanbek, who Kazakh fans have described as humble and indifferent to the attributes of stardom, so far seems content with advancing his career from the comfort of his hometown in Kazakhstan.

The rising star, however, also comes across as very social media and marketing savvy, and appears to be working tirelessly to ensure that the success of the Roses remix brought him continuous.

A little over a week ago, the Kazakh released another production – Fighter, alongside the popular American singer LP, who also received praise from electronic music fans.

While some have called the surprising popularity of Imanbek’s career remix a Roses as luck would have it, since winning several prestigious awards for the track, the musician has shown nothing but hard work and dedication to his craft.

It certainly wouldn’t be luck if Imanbek’s name soon became one of the most recognizable in the sound production industry.


Photo: Pavel Boycheckno / Efficient recordings


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Porter Robinson interview on the Second Sky Festival https://schlammpeitziger.com/porter-robinson-interview-on-the-second-sky-festival/ https://schlammpeitziger.com/porter-robinson-interview-on-the-second-sky-festival/#respond Fri, 17 Sep 2021 19:14:14 +0000 https://schlammpeitziger.com/porter-robinson-interview-on-the-second-sky-festival/ He’s not kidding about the theme park part. Produced by Goldenvoice, Second Sky features production design by Nassal, the designers of The Wizarding World of Harry Potter World at Universal Studios and Star Wars: Galaxy’s Edge at Disneyland. Inspired by Robinson’s love for video games, sci-fi / fantasy, and anime, the event was designed around […]]]>


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Grapefruit Season – Fertile Hope and Surrender https://schlammpeitziger.com/grapefruit-season-fertile-hope-and-surrender/ https://schlammpeitziger.com/grapefruit-season-fertile-hope-and-surrender/#respond Fri, 17 Sep 2021 04:00:28 +0000 https://schlammpeitziger.com/grapefruit-season-fertile-hope-and-surrender/ Album:Grapefruit season Artist:James vincent mcmorrow Label:Sony Music / Columbia Records Kind:Singer / songwriter James Vincent McMorrow had no plans to become the face of Irish live music during the Covid-19 pandemic, but then again, little has been planned for the Malahide-born artist over the past 18 months. As the first title to play a socially […]]]>

Album:
Grapefruit season

Artist:
James vincent mcmorrow

Label:
Sony Music / Columbia Records

Kind:
Singer / songwriter

James Vincent McMorrow had no plans to become the face of Irish live music during the Covid-19 pandemic, but then again, little has been planned for the Malahide-born artist over the past 18 months. As the first title to play a socially distanced outdoor music event in June, McMorrow set the stage for a summer of give and take between the Irish event industry and the government, which continues until the fall.

McMorrow’s fifth album was another victim. Scheduled for release in 2020, it has been put on hold by his label – twice – until summer 2021, and again until September. Recorded between London, Los Angeles and Dublin and produced with Paul Epworth, Kenny Beats, Lil Silva and Patrick Wimberly (half of the synth-pop duo Chairlift), Grapefruit Season arrives as a very different beast; four songs were added during the months of confinement, expanding the tracklist to more reflective territories, torn between electro-pop fusion and introspective ballads.

From the first, Paradise is an energetic, electronic track designed to get out of Dodge on a summer day, while Gone showcases the best of its turn to heavy, tropical beats. Yet he has a thoughtful tone, not claiming to have all the answers; “I’m giving less f ** ks than before; still gives a lot.

I Should Go cuts through its deceptive and contagious groove – courtesy of Kenny Beats – while sitting with social anxiety: “I don’t wanna think I missed a party, so I go and I hate everybody.” The solution? A repetitive, toxic cycle: “Find someone, and love someone, kill someone, start over.”

Near the middle, a series of ballads varies in performance. Waiting, written in part in response to the pandemic, takes stock of the ups and downs of the past 18 months – the anticipation of seeing “if my hope will push back” – to great effect. Meanwhile, Poison to You finds McMorrow’s falsetto leading a choir that, mixed with expressive grand piano chords and swollen strings, comes close to over-sentimentality.

The pace is further slowed down by We Don’t Kiss Under Umbrellas Like We Used To, where a pretty but predictable guitar line chosen by Travis underlines a love song that, compared to sharp lyrical observations elsewhere, lacks bite. McMorrow’s best work merges his nimble lyricism with a more expressive musicality: the infectious bassline on Planes in the Sky, for example, or the sparkling and sparse piano of Headlights.

Part of Me is a fitting reminder that dares not offer solutions, only permission to recognize the symptoms of chaos. It’s an ending punctuated by a sigh – of despair or relief, we don’t know. It is in the ambiguity, the uncertainty, the preliminary spaces between hope and abandonment, that McMorrow finds thoughtful and fertile ground.


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Asian Hall of Fame unveils new inductees https://schlammpeitziger.com/asian-hall-of-fame-unveils-new-inductees/ https://schlammpeitziger.com/asian-hall-of-fame-unveils-new-inductees/#respond Thu, 16 Sep 2021 19:11:00 +0000 https://schlammpeitziger.com/asian-hall-of-fame-unveils-new-inductees/ Former inductees include Bruce lee, Connie chung, Daniel Dae Kim, Kristi yamaguchi, Norm Mineta, among others. The 2021 class inductees are (in alphabetical order): Steve aoki: The first Asian DJ producer to achieve worldwide recognition in electronic dance music and son of founder Benihana Hiroaki “Rocky” Aoki. Tani Cantil-Sakauye: First Filipino-American female chief justice of […]]]>

Former inductees include Bruce lee, Connie chung, Daniel Dae Kim, Kristi yamaguchi, Norm Mineta, among others. The 2021 class inductees are (in alphabetical order):

Steve aoki: The first Asian DJ producer to achieve worldwide recognition in electronic dance music and son of founder Benihana Hiroaki “Rocky” Aoki.

Tani Cantil-Sakauye: First Filipino-American female chief justice of California.

Phil Chen: Jamaican Order of Distinction bass guitarist for Eric clapton, Bob marley, Robby krieger, other legends.

Ren hanami: Japanese-Hawaiian actress and national president of SAG-AFTRA Asia-Pacific American Media Committee.

Ken jeong: Actor, comedian, producer, doctor and defender of Asian representation in national narratives.

Sumi jo: Legendary coloratura and first Asian soprano nominated for the Oscar for best song. Korea’s first classical musician and national inductee.

Nancy kwan: Recipient of the Lifetime Achievement Award. First icon of Eurasian cinema in Hollywood, Golden Globe Award winner and cousin of the inductee Kevin Kwan.

Brandon lee (in memoriam): martial artist, actor and son of inductee Bruce lee.

Dr. Linda Liau: Brain cancer vaccine pioneer, first Asian woman president of a neurosurgery program.

Indra Nooyi: Former President and CEO of PepsiCo. First woman, person of color and immigrant CEO of a Fortune 50 company. Author of My life in full memory and first Indian enthroned.

The induction ceremony will be broadcast live on November 13 with the master of ceremonies Frank Buckley by KTLA 5. Rock and Roll Hall of Famer drummer Danny Seraphine & CTA will be in the news.

Ben Bridge will host Indra Nooyi at the Seattle Induction Reception on November 8. St-Jean founder Marie Gray and her daughter Kelly Gray will host the Newport Beach Induction Reception on November 10. Receptions are limited to special guests, media and inductees.

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IN REGARDS TO: Asian Hall of Fame is the world’s premier organization for the elevation of Asian excellence and the promotion of racial equity. Visit www.asianhalloffame.com or contact Rochelle Srigley, (626) 600-9148 and [email protected].

SOURCE Asian Hall of Fame

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SpaceX’s All-Civilian Crew Only Get ‘The Right Kind’ Of Jitters Before Launch https://schlammpeitziger.com/spacexs-all-civilian-crew-only-get-the-right-kind-of-jitters-before-launch/ https://schlammpeitziger.com/spacexs-all-civilian-crew-only-get-the-right-kind-of-jitters-before-launch/#respond Wed, 15 Sep 2021 08:25:00 +0000 https://schlammpeitziger.com/spacexs-all-civilian-crew-only-get-the-right-kind-of-jitters-before-launch/ CAP CANAVERAL, Fla., Sept. 14 (Reuters) – The four future citizen astronauts prepare to fly a SpaceX rocket around the world as the first fully civilian crew to launch into orbit on Tuesday said they were eager to take off the day before their flight, feeling only “the right kind” of nervousness. “I was just […]]]>

CAP CANAVERAL, Fla., Sept. 14 (Reuters) – The four future citizen astronauts prepare to fly a SpaceX rocket around the world as the first fully civilian crew to launch into orbit on Tuesday said they were eager to take off the day before their flight, feeling only “the right kind” of nervousness.

“I was just worried that this moment would never come in my life. Let’s go, let’s do it,” said Sian Proctor, 51, a geoscience professor, artist and lifelong enthusiast, who was previously a finalist in 2009. of the NASA Astronaut Nominee Program. it was cut.

Proctor also revealed that she and her flight mates received a phone call from one of her personal heroes, former First Lady Michelle Obama, wishing them good luck, an honor she said “would stay with me. the rest of my life “.

The “Inspiration4” quartet is scheduled to take off Wednesday at 8 p.m. (0000 GMT) from Kennedy Space Center Launch Complex 39A in Cape Canaveral, Fla., For an orbital flight expected to last about three days before landing.

Proctor and his teammates – billionaire ecommerce executive and jet pilot Jared Isaacman, 38, medical assistant Hayley Arceneaux, 29, and aerospace data engineer Chris Sembroski, 42 – answered reporters’ questions during a pre-launch briefing in a SpaceX hangar just over 24 hours before launch time.

Behind them, visible in the distance through the open hangar doors, stood the SpaceX Falcon 9 rocket and Crew Dragon capsule designed to transport them to a targeted orbital altitude of 360 miles (575 km) above Earth. – higher than the International Space Station.

The Inspiration4 team of Chris Sembroski, Sian Proctor, Jared Isaacman and Hayley Arceneaux pose in costume for a launch rehearsal in Cape Canaveral, Fla. On September 12, 2021. Photo taken on September 12, 2021. Inspiration4 / John Kraus / Handout via REUTERS

That’s well beyond the inaugural astrotourism flights made this summer by SpaceX rivals Virgin Galactic (SPCE.N) and Blue Origin, who took their respective billionaire founders – Richard Branson and Jeff Bezos – for the ride. .

These two suborbital voyages, while high enough that their crews could experience a few moments of microgravity, ended in a matter of minutes.

The high orbit flight planned for Inspiration4 carries greater risks, including increased exposure to radiation in space. But crew members professed the utmost confidence in SpaceX, the private California rocket company founded by billionaire entrepreneur Elon Musk.

Isaacman, founder and CEO of electronic financial services firm Shift4 Payments Inc (FOUR.N), is the initiator and benefactor of the mission, having paid Musk an undisclosed but presumably huge sum to steal the four members. crew in orbit.

Musk joined a pre-flight “check-in” call on Tuesday, “and assured us that all management is only focused on this mission,” Isaacman told reporters when asked. questions on the nerves before launch. “No nervousness, just excited to start.”

Arceneaux, a childhood bone cancer survivor who now works with young lymphoma and leukemia patients at the St. Jude Children’s Research Center in Memphis, Tennessee, which the Inspiration4 mission was designed in large part to promote, said that ‘she was “so excited”.

“All the nervousness is of the right kind,” she added. “I’m just waiting for tomorrow to get here.”

At least one retired NASA astronaut, Catherine “Cady” Coleman, 60, a veteran of two space shuttle missions, who spoke up to wish the Inspiration4 crew good luck, told them: “We want to welcome you to the family.”

Reporting by Julio-Cesar Chavez in Cape Canaveral, Florida; Writing and additional reporting by Steve Gorman in Los Angeles; Editing by Peter Cooney

Our standards: Thomson Reuters Trust Principles.


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Immerse yourself in Rinzen’s cinematic techno soundscapes at the Electric Zoo [Interview] https://schlammpeitziger.com/immerse-yourself-in-rinzens-cinematic-techno-soundscapes-at-the-electric-zoo-interview/ https://schlammpeitziger.com/immerse-yourself-in-rinzens-cinematic-techno-soundscapes-at-the-electric-zoo-interview/#respond Tue, 14 Sep 2021 08:15:42 +0000 https://schlammpeitziger.com/immerse-yourself-in-rinzens-cinematic-techno-soundscapes-at-the-electric-zoo-interview/ Los Angeles based electronic music producer Rinzen continues to impress listeners (including us) with its otherworldly techno-focused ensembles. With one-of-a-kind sound, the avant-garde musician revolutionized electronic music as we know it and opened up a whole new horizon of unthinkable soundscapes for music lovers around the world. Regardless, the past year presented nothing but a […]]]>

Los Angeles based electronic music producer Rinzen continues to impress listeners (including us) with its otherworldly techno-focused ensembles. With one-of-a-kind sound, the avant-garde musician revolutionized electronic music as we know it and opened up a whole new horizon of unthinkable soundscapes for music lovers around the world. Regardless, the past year presented nothing but a huge success for Rinzen, and we’re sure the stars will only continue to line up when it comes to his thriving music career going forward.

Over the past couple of months, New York’s underground music scene has seen more Rinzen than ever before, and we’re totally here for it. From her big Cityfox Regenerate debut at the Brooklyn Mirage in July to her very first performance at Electric zoo this past weekend, the thriving DJ / producer is happy to finally cross performing at these venues off his list of accomplishments. Whether the sun is shining on your skin during festival day or you start to lose track of time in a more intimate nightclub vibe, Rinzen never fails to throw absolute bangers and wow the crowd with her expertise. captivating and moving mix. .

Last Labor Day weekend, Electric Zoo was honored to welcome Rinzen to its mind-boggling roster of incredible performers, and it was a breath of fresh air to see more underground talent perform in one from the most renowned music festivals in the country. Rinzen’s first Electric Zoo slot at 4:30 p.m. on the newly remodeled Hilltop Arena stage that Saturday was just magical, as it perfectly interwoven melodic percussion with that cinematic, catchy techno sound we don’t seem to like. to have enough. Whether or not he was already a Rinzen fan, everyone in the crowd seemed to genuinely resonate with his visionary live soundscapes.

Lucky for us, we got to chat with the inspiring musician ourselves following his exemplary performance at the Electric Zoo, and it was admirable to have the opportunity to have more information about his history. artistic personality and career-oriented efforts. Read on to fully immerse yourself in Rinzen’s unique world full of purely ethereal musical creations and a forward-looking artistic vision like no other.

Night times: Thank you very much for having us! Your ensemble was amazing! How does it feel to play Electric Zoo this year?

Rinzen: It’s incredible ! I feel like Electric Zoo is one of those American festivals that you always hear about and it’s amazing to finally get here and be able to play there. I am honored to represent more underground music in a more commercial festival.

Night times: Your set here at Electric Zoo was a day set, but you are widely recognized for your underground and extended nightclub sets. How do you decide what specific sound style to incorporate into your live sets based on your performance time and setting?

Rinzen: Usually I think about the time I play and the location, the scenery etc but going into my performance today here at EZOO I honestly had no idea what to do with me. wait and I hadn’t really planned or prepared anything. . I just wanted to come in, dance and tour the festival myself to get a feel for the crowd before my set before deciding how to proceed for my performance.

Night times: Is this your first return festival since before the pandemic?

Rinzen: It’s a yes. It really feels good to see so many people again in an outdoor festival setting. Festivals are actually a bit more difficult in terms of performance for me sometimes because the sets are usually shorter. I feel like the crowd usually expects bangers and heavier tracks all the time and it’s hard to incorporate the magic of all of that into an hour-long set.

Night times: So, would you say you prefer a more intimate 5 hour club set rather than a festival show?

Rinzen: I think so, but festivals have their own unique kind of energy which I also really appreciate. When it comes to performing at festivals, I always think about what my friends and I would like to hear live in that type of environment, and that’s kind of how I choose which tracks to include as well. That’s why I mixed a Lana Del Rey track during this EZOO set!

Night times: Every artist has a dream music festival that they hope to debut one day. If you could perform at any music festival in the world, which one would you choose?

Rinzen: Whoa, good question! Hmmmm Damian Lazarus has this festival called Day Zero and playing that in Tulum would be an absolute dream. I feel like the audience at his events is just there for the music, and in a way, I feel like this sophisticated type of audience seems to understand my music more in depth.

Night times: What have been your most memorable performances of 2021 so far?

Rinzen: Playing Cityfox Regenerate at the Brooklyn Mirage for their opening weekend in July was certainly the most memorable. I think it was just that kind of perfect scenario to have the right time, the right scene selection, and the right audience. When all of these things line up, this explosive energy happens and it’s just magical. It’s hard to reproduce moments like this and I will never forget the energy in the air that night.

Night times: You just opened for Lane 8 on his Brightest Lights tour at the Brooklyn Mirage, can you tell us more about that experience and your relationship with him and his label This Never Happened?

Rinzen: I am a huge fan of him and have known his music since he started on Anjunadeep some time ago. When he started doing his mixtape series, I thought I would send him some of my music, and he’s been so supportive of my ideas and my sound ever since. Our relationship kind of grew over time, and when I wrote “Some Good Here” in my forties, I was trying to figure out who I wanted to release the song with. This Never Happened seemed like the perfect solution. The stars aligned and we released the song on TNH and then he asked me to open for him on his Brightest Lights tour which I loved being a part of because I got to show my deeper side and more melodic.

Night times: In addition to This Never Happened, you’ve also released tracks on top labels like mau5trap, Desert Hearts, and more. With what imprint would you say you have the closest relationship?

Rinzen: I will always be grateful to mau5trap as they really sparked my debut in the music industry and helped me build my career. Recently I’ve become extremely close to the guys at Desert Hearts and it’s just amazing to have a friendship with the people you work with. I am always looking to evolve and grow as an artist, and I am delighted to forge even more rewarding relationships in the future.

Night times: In my opinion, you have one of the most unique sounds in the electronic music industry today. If you could, how would you describe your sound signature in one or two words?

Rinzen: Cinematographic and cerebral.

Night times: What made you want to create this cinematic, techno sound to begin with?

Rinzen: I think it was a consequence of growing up in Los Angeles and falling in love with film and literature and being interested in all of these deeper stories and art forms. When I decided to approach music, it just seemed like I wanted to incorporate all of these artistic concepts into my creations.

Night times: When it comes to creating music, what do you think is your biggest inspiration?

Rinzen: Honestly, everyday life experiences. Traveling, meeting people, playing in different places and strolling through towns that I have never been to, these are the little things that have meaning that inspire me.

Night times: What are you looking forward to the most in the last few months leading up to 2021?

Rinzen: After leaving New York, I’m playing a 5 hour extended set in San Francisco and Chicago next weekend, which I’m very excited about. I’m also excited to perform at the Seismic Dance Event in Austin later this fall as it’s such a big techno festival!


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The best and the worst of the festival Day 2, Weekend 2 https://schlammpeitziger.com/the-best-and-the-worst-of-the-festival-day-2-weekend-2/ https://schlammpeitziger.com/the-best-and-the-worst-of-the-festival-day-2-weekend-2/#respond Sat, 11 Sep 2021 04:44:16 +0000 https://schlammpeitziger.com/the-best-and-the-worst-of-the-festival-day-2-weekend-2/ Milwaukee Journal Sentinel | Milwaukee Journal Sentinel The second Friday of Summerfest 2021 brought familiar voices and news to the stages of Maier Festival Park. This is what the fifth night of the world’s biggest music festival looked like. RELATED: Zac Brown Band, down two members, cuts jams at Summerfest, while Gabby Barrett perseveres despite […]]]>

The second Friday of Summerfest 2021 brought familiar voices and news to the stages of Maier Festival Park.

This is what the fifth night of the world’s biggest music festival looked like.

RELATED: Zac Brown Band, down two members, cuts jams at Summerfest, while Gabby Barrett perseveres despite poor sound mix

RELATED: Summerfest 2021 lineup: Here is the schedule by date, time and stage for the Milwaukee Music Festival

RELATED: What you need to know about Summerfest 2021 tickets, COVID-19 rules, shuttle changes, baggage policy, new zones and more

RELATED: Here are 14 ways to get free entry to Summerfest 2021 in Milwaukee

RELATED: Getting to Summerfest 2021: Parking, shuttles, Hop and more

nelly

Hip-hop veteran and “Dancing With the Stars” alumna Nelly returned to the UScellular Connection stage on Friday night for another phenomenal performance.

As usual, everyone tends to forget all the hits that Nelly has racked up over the years, like “Ride Wit Me” and “EI”. With hardly any breaks.

Nelly gave her fans an energetic show with a teenager’s breath control – which makes sense since he’s still shredded. When it comes to hip-hop performances, Nelly is definitely someone to learn from.

– Damon Joy, special at Sentinel Journal

G-Eazy

If you didn’t know who G-Eazy was, you would probably assume he was an avid 50s drag racing enthusiast.

But don’t be fooled by the Bay Area rapper’s slicked back hair and leather… everything. G-Eazy is a seasoned artist and MC.

Assisted by a drummer and a live DJ, G-Eazy rocked an almost complete Generac Power Stage at Summerfest on Friday night. He had music from his early days with “I Mean It” 2015, until his most recent “Provide” presented by Chris Brown / Mark Morrison.

Things really got out of hand during “The Plan” when the leather jacket came off. After that, it was a sex-fueled hip-hop night with G-Eazy at the helm. He would lift his shirt every few minutes and the screams of the audience could be heard for miles.

G-Eazy has been to Milwaukee many times and always gave us props to support him. Tonight was no different. Milwaukee came back for him and he did what he does best.

– Damon Joy

Lindsey Stirling

Fusing new age, hip-hop, electronic and classical music, violinist Lindsey Stirling

Throw a memorable show, complete with costumes and elegant choreography, at the Uline Warehouse on Friday night.

Stirling, who is on tour to promote her 2019 album, “Artemis”, was accompanied by several dancers and a group. She toured the stage while singing her violin to songs like Celtic-influenced “Masquerade” and “Master of Tides”.

She changed her costumes several times, from the first cave dweller to the Wild West dance hall queen to the pirate (with a fake parrot), on several occasions. Colorful lights, background images, and a fog machine enhanced the mood.

“I haven’t done a show for two years so it’s amazing,” said Stirling, who revealed his obsession with pirates and urged members of the audience to adopt “their own brand of weirdo”.

“America’s Got Talent” Season 5 semi-finalist Stirling may not have won the TV contest, but she certainly charmed her audiences. It was nice to see a crowd of all ages enjoying the classically inspired music.

– Catherine Jozwik, special at Journal Sentinel

Wilco

Wilco was fortunate enough to take part in three shows in 2020 before their 51-date itinerary suddenly came to an end. They seemed to still have pent-up energy to come out of their collective chest on Friday night at the Miller Lite Oasis.

Few openings in the folk-rock pantheon are as invigorating as “A Shot in the Arm”. Jeff Tweedy, normally a fairly straightforward conductor, was remarkably lively throughout the set and was aggressive on the guitar from the start, shredding “At Least That’s What You Said” in a positively Neil-Young-ish way.

After an unusually loud “Art of Almost”, the set became more of a wellness hit parade, and the crowd grew bigger as people flocked to the completed shows. A guitarist like Nels Cline can, however, blow up the most banal melody; his creativity was limitless.

In the end, it was a relatively smooth Wilco show, and no one complained about it. For an hour and a half, despite the fall temperatures, it felt a bit like summer.

– Cal Roach, special at Sentinel Journal

Goo Goo Dolls

A month ago, in Buffalo, the hometown of the Goo Goo Dolls, frontman John Rzeznik performed his signature ballad, “Iris,” as a guest at a Billy Joel concert. Joel didn’t reciprocate here in Milwaukee, although he wouldn’t have felt out of place.

Last year, Goo Goo Dolls was set to celebrate not only their new album “Miracle Pill”, but also the 25th anniversary of their groundbreaking album “A Boy Named Goo”; we all know what happened to those shots.

Friday night’s headlining spot at the BMO Harris Pavilion at Summerfest was one of the few dates the Dolls have on the calendar this year, and it didn’t start smoothly.

Rzeznik, cutting a sort of late ’90s Bowie profile in tones and shoulder length streaked hair, barked at the crew and threw his mic stand in frustration. By the time the group entered “Slide” a few minutes later, everything was settled and forgotten.

Beyond the point of seeking credibility, Rzeznik is the consummate veteran leader, almost nonchalantly at fault. “It’s good to get out of your house after two fucking years,” he enthused before “Miracle Pill.” “Summerfest is always the best time (expletive) anyway, isn’t it?”

– Cal Roach

Jade bird

At just 23, British singer-songwriter and guitarist Jade Bird has an imposing stage presence, which was showcased in an enjoyable performance at the Johnson Controls World Sound Stage on Friday night.

Little Bird, dressed in a black kaftan and backed by a full band, presented the crowd with rock hits such as “Uh Huh” and “I Get No Joy”, the rich keyboard “My Motto” and folkloric “Lottery . ”

She also performed several songs from her latest album, “Different Kinds of Light”, released in August, including the breakup song “Houdini”.

Although Bird’s melodic voice was dynamic and diverse, his lyrics sounded muddled on some of the heavier numbers. Sometimes his band threatened to drown out his sound – it seemed like some of the audio levels were too high.

The audience, however, didn’t seem to care, rocking and dancing to the music and enjoying the beautiful lake breeze. In turn, the smiling bird showed its appreciation for its fans.

“I’m really not used to such a lovely crowd so thank you very much,” she said.

– Catherine Jozwik

Jesse mccartney

For anyone who doesn’t understand how wonderfully weird the Summerfest lineup is, they just had to look at who was booked at the Uline Warehouse on Friday.

There was hip-hop violinist Lindsey Stirling, Michael Winslow (the guy who made all those noises in the “Police Academy” movies) and Friday afternoon actor and pop artist Jesse McCartney – who finished second on Fox’s “The Masked Singer” in senior year dressed as a punk rock turtle.

With effortless charm and a hint of brooding, McCartney gave the large crowd on Friday a fun nostalgia trip with sparkling pop hits like “Body Language” and “Leavin ‘,” and his cover of “Bleeding Love,” the 2008 smash he co-wrote with Ryan Tedder for Leona Lewis.

McCartney also premiered new songs from an album slated for release next month, and while they’re not going to set the charts on fire, the crowd has been more receptive to unknown material than you are. would have imagined. As a reward for their attention, he was a very generous host, singing a buttery “Happy Birthday” to a fan named Gina, and offering exuberant validation to a fan who shouted that she was training today.

– Piet Lévy, plevy@journalsentinel.com

Maddie & Tae

From Kelsea Ballerini to Chris Stapleton, from Gabby Barrett to Zac Brown Band, there has been a lot of really good country music at the American Family Insurance Amphitheater at Summerfest this week.

But some of Nashville’s top performers performed on the field stages, including Maddie & Tae on Friday afternoon at the UScellular Connection Stage.

Madison Tarlow and Taylor Dye helped deliver a death blow to brother country and its sexist tropes eight years ago with the clever and scathing “Girl in a Country Song.” They haven’t done anything so dazzling since, but they’ve quietly built a solid catalog led by richly detailed storytelling and fully formed characters.

On Friday there was “Woman You Got”, with its female protagonist telling her fiance about all her strengths (“The thing with me is that I always improve”) and her weaknesses (“I speak loudly / I do damage … I’m a little selfish. “)

And there was “Friends Don’t” with its tell-tale signs of a romantic alchemy between platonic friends (“Friends don’t stay there / play with their keys / try to find reasons not to leave”).

On Friday, fans of Zac Brown Band and Gabby Barrett were already in store for one of Summerfest 2021’s longest sets in the amphitheater. But those ticket holders smart enough to arrive early for Maddie & Tae – and it seemed like a lot of them – got a great bonus for their money.

– Piet Levy

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Google Doodle remembers Swedish pop superstar DJ Avicii Tim Bergling on his 32nd birthday https://schlammpeitziger.com/google-doodle-remembers-swedish-pop-superstar-dj-avicii-tim-bergling-on-his-32nd-birthday/ https://schlammpeitziger.com/google-doodle-remembers-swedish-pop-superstar-dj-avicii-tim-bergling-on-his-32nd-birthday/#respond Wed, 08 Sep 2021 06:34:04 +0000 https://schlammpeitziger.com/google-doodle-remembers-swedish-pop-superstar-dj-avicii-tim-bergling-on-his-32nd-birthday/ New Delhi: It’s been three years since Tim Bergling passed away, aged 28, but the music created and left behind by the Swedish pop icon better known by his stage name Avicii has kept him alive in millions of years. hearts. It’s her 32nd birthday today and Google Doodle dedicated a video to “Wake Me […]]]>

New Delhi: It’s been three years since Tim Bergling passed away, aged 28, but the music created and left behind by the Swedish pop icon better known by his stage name Avicii has kept him alive in millions of years. hearts.

It’s her 32nd birthday today and Google Doodle dedicated a video to “Wake Me Up”, one of her most iconic tracks, to celebrate the “superstar DJ, producer, songwriter and humanitarian.”

Avicii’s music is “widely considered to have forever changed the trajectory of the pop genre,” says Google Doodle page as she seeks to honor her legacy “as one of the first artists to elevate electronic music to the rank of global success for the general public “.

On his birthday, the ‘Avicii Memory Board’ on its website avicii.com also has messages pouring in from all over the world.

“The most happy birthday in legend. !! You are helping me overcome my mental illnesses and your music makes me smile at my lowest moment” – reads one of the posts.

Aviicii’s life and music

Avicii was born under the name Tim Bergling that day in 1989 in Stockholm, Sweden. He was a family of creatives and he had been exposed to multi-genre musical experiences since his childhood.

At the age of 16, he had started mixing tunes, before embarking on writing electronic music. His dance anthem, “Levels”, under the name “Avicii” arrived in 2011 and began to climb the Pop charts, one of the first pieces of electronic music to do so.

In 2012, he was joined by superstar Madonna to close the Miami Ultra Music Festival. The duo broke the festival’s record for live viewers so far.

That same year, Bergling humanitarian aid’s “House for Hunger” US tour donated the proceeds to fight food insecurity around the world.

Bergling also emerged as one of the first DJs and producers to gain the attention that only singers and instrumentalists usually received.

During his brief ten-year career, he won several awards, including the Swedish Grammis for Best Innovator in 2012 and Best Artist in 2014, as well as the World Music Award for Best Electronic Dance Artist in 2014. .

It has been nominated for several Grammys in the United States and won the American Music Award for Electronic Dance Music Artists in 2013, the Billboard Music Award for Top Dance / Electronic Song in 2014, and the MTV Music Award for Best Dance Music Video in 2018.

Bergling was only in his 20s but struggled with mental health for years before taking his own life in 2018.

Earlier this year, Sweden announced that the Ericsson Globe Arena in Stockholm would bear its name and be called Avicii Arena. The venue is now a hub for the exchange of ideas focused on mental health issues.

The Tim Bergling Foundation, founded by the Bergling family, works to eliminate the stigma associated with suicide, promoting mental health awareness, especially among young people around the world. He also helps fight climate change, global hunger and the preservation of endangered wildlife and species – areas where Tim had a passion.


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Moriarty The Patriot Continues With Two-Episode OVA https://schlammpeitziger.com/moriarty-the-patriot-continues-with-two-episode-ova/ https://schlammpeitziger.com/moriarty-the-patriot-continues-with-two-episode-ova/#respond Sat, 04 Sep 2021 04:35:17 +0000 https://schlammpeitziger.com/moriarty-the-patriot-continues-with-two-episode-ova/ The official Moriarty the Patriot website announces that the story will continue in a new OVA, which premieres next year. “The Final Problem, Act 2” first aired on June 27, constituting the final chapter of the Moriarty the patriot animated; however, the story is not over. From the anime official site, the series receives a […]]]>

The official Moriarty the Patriot website announces that the story will continue in a new OVA, which premieres next year.

“The Final Problem, Act 2” first aired on June 27, constituting the final chapter of the Moriarty the patriot animated; however, the story is not over.

From the anime official site, the series receives a two-part Original Video Anime (OVA) that will tell a new story that did not appear in Ryōsuke Takeuchi and Hikaru Miyoshi’s manga. The OVA will premiere on March 5, 2022 at Nakano Sun Plaza in Tokyo, and several actors from the series are expected, including Sōma Saitō (William James Moriarty) and Makoto Furukawa (Sherlock Holmes). The anime’s eighth volume Blu-ray / DVD, scheduled for delivery on October 27, will include an early bird registration form for tickets to the event.


RELATED: Gundam SEED Destiny Gets Blu-Ray Release With Rare Stargazer OVA

Kazuya Nomura directed Moriarty the patriot with Tooru Ookubo acting as the series’ lead character designer and chief animation director. Vocalist Tasuku Hatanaka performed the show’s opening theme song “Twisted Hearts” and electronic artist STEREO DIVE FOUNDATION performed the ending theme song “Omega”. Currently, it’s unclear if the same creative team behind the animated series will create the OVA.

Takeuchi and Miyoshi started their manga in Shueisha’s Jump SQ in August 2016, and the anime adaptation premiered in October 2020 in Japan. Funimation simultaneously aired the show and is currently streaming the full series.

KEEP READING: What Is an OVA Anime, Anyway?

Source: Moriarty the patriot website, Going through Anime news network

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Nandu Releases New EP ‘The Verge Of Sanity’ On Out Of Options | UFO Network https://schlammpeitziger.com/nandu-releases-new-ep-the-verge-of-sanity-on-out-of-options-ufo-network/ https://schlammpeitziger.com/nandu-releases-new-ep-the-verge-of-sanity-on-out-of-options-ufo-network/#respond Wed, 01 Sep 2021 09:00:33 +0000 https://schlammpeitziger.com/nandu-releases-new-ep-the-verge-of-sanity-on-out-of-options-ufo-network/ The edge of reason – the remarkable new EP from highly regarded Danish producer, electronic live act and label manager Nandu – is now available through his young and growing brand, Out Of Options. Listen on Spotify BROADCAST / DOWNLOAD With three new original cuts covering some of the finest avant-garde interpretations of minimal house, […]]]>

The edge of reason – the remarkable new EP from highly regarded Danish producer, electronic live act and label manager Nandu – is now available through his young and growing brand, Out Of Options.

Listen on Spotify

BROADCAST / DOWNLOAD

With three new original cuts covering some of the finest avant-garde interpretations of minimal house, melodic techno and stripped down electro, The edge of reason is another true masterclass in smart, cutting-edge electronic music from the fit, Copenhagen-based producer, who returns to Out of Options armed with a host of impressive career outings on the likes of Innervisions, Afterlife, TAU, Exit Strategy, Azzur, Rebirth and MoBlack, to name a few.

Baptism of the EP with the captivating title song The edge of reason, Nandu draws on his inexorable background and unbridled creativity as a producer to deliver a surprisingly nuanced underground house cut, filled with intricate analog textures, multi-faceted beats and a catchy groove that reinforces the openness throughout. throughout its six-minute duration. Penetrating the imagination with its mind-blowing tones and exemplary use of juxtaposition and surprise, this is Nandu at its best.

Perpetually striving to provide an unparalleled sensory experience for the listener – both in his productions and his unique live performances – Nandu revel in the blurring of the boundaries between genres, reimagining his close affinity for jazz, pop and rock in a unique electronic paradigm. The middle order of the EP bears witness to this again, as the Dane unveils a rich tapestry of complex underground soundscapes, restrained rhythms and rough sound patterns on the second offering. Nobody knows.

Pulling the EP to an immaculate conclusion with a dreamlike, corrective finale, Nandu demonstrates that his production credentials aren’t exclusive to the dancefloor, as he takes an almost therapeutic journey through consciousness to bring us Silence. Collaborating with Danish-Haitian artist Emily Simbi (who featured on Nandu’s inaugural EP on Out Of Options in March), the pair merge organic melodies and lethargic beats with mellow timbres and subtle vocal choruses from Emily to wrap up another notable outing on Out Of Options, and one of the label’s most captivating releases to date.

The edge of reason marks third full EP on Out Of Options, following Nandu’s critically acclaimed release Lemon Haze EP in March 2021 and its second follow-up EP Simple Reflections in May.

Listen now: Nandu Live for the Keinemusik radio show

Now watch: Nandu live from Øresund

List of tracks

Nandu – The Edge of Reason

Nandu – Nobody knows

Nandu – Silence (feat. Emily Simbi)

Nandu

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