Lana Eileen conveys the language of water through breathtaking images
All images are by Lana Eileen. Used with permission.
My name is Lana Eileen. I am a visual artist, musician and photographer currently based on the island of Tasmania, Australia. My work as a photographer seeks to capture a sense of eternity, combining reality and fantasy to create scenes interwoven with the heightened quality of magical realism. I approach each photograph like a work of art. While I prefer the grainy quality of vintage cameras, I also use a Canon 5D MK III and a Canon 600D. I only use natural light.
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Why did you get into photography?
Lana Eileen: As a musician, I have often worked with professional photographers on photoshoots for press releases. During modeling I became more and more interested in the process of photography. I liked the idea of having more creative control over the imagery associated with my music by being able to take the press shots myself, so that’s what I started experimenting with. For several years, I slowly fell in love with photography through this approach, but it wasn’t until six months ago that I started to take it seriously. As I am also a painter and illustrator, I consider photography to be another tool of artistic creation, and it is quickly becoming my favorite medium.
Which photographers are your biggest influences?
Lana Eileen: I love the sleek, fuzzy work of 19th century photographer Julia Margaret Cameron, as well as the grainy work of Diane Arbus. A more recent photographer whose work has a great influence on me is Polish photographer Laura Makabresku.
How long have you been filming?
Lana Eileen: I’ve been experimenting for a few years, but only really started to take it seriously in the last six months.
Why are photography and shooting so important to you?
Lana Eileen: I view photography as another tool of creative expression and deeply appreciate the flexibility and versatility of working with a camera. It’s important for my work as an artist, because it allows me to give voice to ideas that I might not otherwise be able to articulate artistically.
Do you feel more of a creator or a documenter? Why?
Lana Eileen: I am more of a creator, because I approach photography like painting or any other artistic practice. I came to photography as a musician and artist, so it makes sense that I see myself as a creator rather than a scholar.
What comes to your mind when creating images? Tell us about your processes both mentally and mechanically.
Lana Eileen: For me, a shoot is usually a lot of fun and somewhat magical – I look for cases where the light is right and I’m usually very grounded in, feeling extremely present in the moment, especially when shooting outdoors in places. beautiful places . It is a very meditative experience.
Would you like to explain your treatment techniques to us?
Lana Eileen: I’ll do a quick edit in Photoshop if I need to add or subtract anything, but then I do most of my editing in Lightroom, where I play around with colors, saturation, clarity, etc. .
What made you want to join your genre?
Lana Eileen: I think it’s a direct reflection of who I am and the kind of art I gravitate towards. It was not a conscious decision, but a product of the way I am in the world and the way I perceive things.
Tell us a bit about the equipment you use and how it helps you achieve your creative vision.
Lana Eileen: I was running on a Canon 600D for a few years, but upgrading to the 5D MK III was very helpful. I tend to focus more on lighting and processing to achieve my vision, shoot at the right time of day, and focus on specific moments that harness that sense of magic.
What motivates you to shoot?
Lana Eileen: I am motivated by the desire to create art, expressing ideas or images that I have in mind that can communicate a feeling or a mood to viewers. I know I love watching photography and getting a lot of pleasure from other people’s work, so if I’m able to give that feeling to others and capture a moment of stillness or beauty, that’s my goal.
You can see the Water Tongue on Lana’s website.