The versatile nomadic MFA looks from the present to the future
Last month, artist and recent Nomadic MFA alum sTo Len was named Artist in Residence with the New York City Department of Sanitation as part of the NYC Public Artists in Residence (PAIR) program, which brings artists into city agencies to consider solutions creative to urgent civic challenges. sTo was asked to bring his appreciation to the Department of Sanitation’s critical but often invisible workforce that makes life in New York City possible.
Nomad’s students and old students are from all over the world and represent a diversity of disciplines, including socially engaged work, sculpture, public art, art and healing, ecological art and performance. A partial list of Faculty includes Mark Dion, Christy Gast, Hope Ginsburg, Muriel Hasbun, Pablo Helguera, Seitu Jones, Camila Marambio, Mary Mattingly, program founder Carol Padberg, Allison Smith, Nico Wheadon, Linda Weintraub and Caroline Woolard.
The Nomad Graduate Program is an interdisciplinary, field-based MFA with residencies at sites across the Americas, from Coatepeque, El Salvador to Miami, Florida and St. Paul, Minnesota. This winter, Nomad will travel to New Mexico to work with ceramics and weaving alongside Roxanne Swentzell in the Santa Clara Pueblo and to co-create plans for resilient food systems with SeedBroadcast in Anton Chico. The residency will end in Carrizozo, New Mexico.
This accredited MFA prioritizes developing skills for the new economy with local ethics and an understanding of ecological principles. Course addresses ethical social commitment, ecology and craftsmanship. The pedagogy encompasses a mix of learning modalities, including analytical seminars and reviews, collaborative artistic processes, and hands-on workshops. Between these residences, students develop their work with a mentor through online meetings. The entire program lasts 26 months.
To learn more, visit nomadmfa.org.
Noisy Autumn: Sculpture and Works on Paper, released November 16, includes essays by Carlo McCormick, Amy Lipton, Nina Felshin, Bob Holman, and Lucy R. Lippard.
Each piece is a recording of the artist’s position, movements and sensations during the artistic creation, the pains and temperature changes as his chest rises and falls with each passing breath.
Art historian Jenni Sorkin examines the history of the visual arts in California from the turn of the 20th century to the present day.
The association has provided $ 5.1 million in grants and scholarships across the United States. Craft enthusiasts can help make a difference by helping with the organization.
With growing calls for the repatriation of colonial-era artifacts and against the illegal trafficking of antiques, hiding them out of sight in a chamber of secrets is doubly unethical.
Funding options include the Arthur A. Schomburg scholarship program, full scholarships for MFA students, and additional opportunities for MA students.
In this award-winning cinematic omnibus, the acclaimed director reinvents an archive of the black experience through original visions of a radical past.
As long as wars were fought, wars had to be sold. And just like with weapons, the US military has long been at the forefront of propaganda.
The sculpture is combined with contemporary photographs by Ilaria Sagaria in an Uffizi exhibition on violence against women.
Those who do not know the past are doomed to repeat it.